Six authors and 1 aspiring author/amazing graphic designer respond.
Fyn Alexander: I have a number of stories and characters floating around in my mind at any given time. They can come from a picture I saw in a magazine or something someone has said, perhaps a memory from my past. I usually start with the characters. I get an idea for character traits and names and then the rest flows from there. I have never written an outline in my life. Sometimes I work out my own fantasies in a story, like Jade Swift for instance, who was a complete brat, just as I always wanted to be but never had the nerve. I start writing as soon as I know how I want to begin and let the rest of the story develop from there. I thought I was really unprofessional until my editor told me that lots of writers work this way. Do whatever works for you.
Sedonia Guillone: I don’t have a process really of putting down my ideas. Once in a while I’ll jot down ideas and character sketches but I’m basically what is called a “pantster.” Once a story idea begins to germinate in my mind, I’ll let it marinate for a while and develop into a full blown story. Then I begin the process of writing the story out. Currently I’m in the middle of a WIP in which I didn’t go through this process and I’ve stalled out a bit. I’m waiting to see what comes to mind that will help me finish the story. 🙂
Jared Rackler: When it comes to designing book covers, I usually ask for a synopsis of the story from the author as well as important imagery such as a ring, tree or a castle. I then come up with a design based on that information, but my job’s not done there. I then have to weigh my design decisions against not only what the author wants but what the reader will find visually appealing as well current market trends. If the shelves are filled with books of random items in the same shades of red, black and white then designing the same cover could infinitely help or harm the sales of that novel. That may be what the reader is drawn to at the moment and the author or I may have to bite the bullet and give it to them. At the end of the day, the author or the publisher makes the final call. And it is my job as the artist to give them what they asked for, but something they don’t teach in school that you hopefully learn very quickly is to sneak a bit of what you know to be best wrapped in the design they asked.
PD Singer: I usually have a plot to start with, at least in rough outline, and then I start asking myself what sort of person would get involved in this plot. I try to have the characters mostly figured out before I start, because only by knowing them can I predict what they’ll do in each situation I drop them into. They still surprise me. If I pantsed, I’d never finish a thing; I wouldn’t know where I was going or how to get there.
DH Starr: I started with one strategy when I wrote my first books. I’d have a pretty good idea of who my characters are and what their story is before I start writing. In order to feel ready to embark on the personal journey of writing a story, I liked to think the entire storyline all the way through. I’d type chapter by chapter summaries, outlining many of the details, events, plots, and twists along the way. I found having the outline helped me to remain focused and calm. Of course, once I got started, my characters decided to take the stories in a different direction. Lately, when a story idea comes to me I have chosen to just sit and write and let the ideas flow. If the idea is right, it flows fast, if it doesn’t resonate, I drop it. This new process has helped me to become even more involved with my characters. I’m no longer guiding them but actually channeling them. It’s a rush!.
Ethan Stone: I’ve never been one to sit down and outline or plan things out. I usually know what happens in the beginning, at the end and a few things in the middle. As I write I figure out the best way to get from Point A to Point B to Point C and so on. I do, however, write in chronological order. I know one author who jumps back and forth all the time when she’s writing. My “fly-by-the-seat of my pants” thing works out for me because it lets my characters show me where they’re going. The times I have tried to outline I found the actual writing of the scene held no joy for me. I wasn’t discovering as I wrote and that is one thing that is very important to me.
Eden Winters: My books start with a single concept, and build over time, usually while I’m busy doing something else. My purse is usually full of random jottings that occurred to me at work, and I keep a notepad with me at all times. When I’m driving, I record my ideas on my cell phone, and have been known to pull into parking lots to make quick notes. I’m a fly by the seat of my pants writer, so even if I do try to outline, the end result always meanders off course. So far I’ve had two separate occasions where a single book split into two because I simply had too many ideas for one volume. After I begin typing, the characters and plot add their own voices. For every book that’s approximately 60,000, I normally write about 90,000 and then trim the excess, using the leftover as free reads or a short story.
M/M Authors Exposed 